
Kumaon has a distinctive
style of architecture, which is to be seen on the one
hand in scattered settlements of the higher Himalaya and
populated agricultural valleys, and on the other in the
temples, naulas-bawaries (water tanks), forts and
dharamshalas (inns). The temples, which have been
constructed over a period of about a thousand years,
follow a local style known as the “Himadri” style of
architecture. The temples at Jageshwar, Almora and
Katarmal Thal, Baijnath, Someshwar, Dwarahat,
Gangolihat, Patal Bhuvaneshwar, Marsoli are very good
examples of the local style, which is often termed as
post Gupta architecture. Along with architecture, Kumaon
has also had a distinctive style of sculpture.
One finds many idols in temples and even outside
temples. The idols at Jageshwar, Dwarahat, Baijnath,
Katarmal, Kasni and Champawat bear ample testimony to
Kumaon’s rich tradition of sculpture. The bronze or
astdahatu statues are also worth seeing.
During
the last two decades many rock paintings belonging to
the protohistoric period have been discovered in Kumaon.
Among them Lakhu Udhiyar and Lwethaap are well known.
The Pahari Kalam (style of painting) probably
also developed in Kumaon, when it was being practiced in
some of the Himalyan regions. The Aipan (Alpana) is a
popular art form of Kumaon, and walls, papers and pieces
of cloth are decorated by the drawing of various
geometric and other figures belonging to gods, goddesses
and objects of nature. Pichhauras or dupattas are also
decorated in this manner.
At the time of Harela
there is a tradition of making clay idols (Dikaras) The
Shaukas use their own and Tibetan knitting art form to
decorate mattresses known as Dans. In these woollen
goods we find the mixed influence of the Kumaoni and
Tibetan styles. Kumaon also has a distinctive style of
making different baskets (Doka.Dala, Tokri), wooden
casks (Theki,Harpia, Naliya) for keeping curd, butter
and ghee, mattresses (mosta) and ropes etc. The art of
hilljatra mukhotas (masks) is also worth mentioning.